Maite Iribarren Vázquez

All Warm Light Conduit R-58 Traffic Stripe 32 sq in of Reinforcement Newtown Creek Buoy Lo que queda queda Randomized structure Corrrected Family Structure

Lo que queda, 2022

Lo que queda, Stoup, 2022

Lo que queda, Mute Auto Speaker 1, 2022

Lo que queda, Haircut, 2022

Lo que queda, Mare Comb 2022

Lo que queda, Mare with Comb,2022

Lo que queda, Mute Auto Speaker 3 + 2, 2022

Mute Auto Speaker 3, 2022

Lo que queda, Gauged Tree 2022

Lo que queda, Mute Auto Speaker 1, 2 + 3 2022

Stoup
cast iron push paddle water bowl, rum
8”x8”x6”

Mute Auto Speaker 1
plastic funnel, cow horn, aluminum push
paddle
24”x14”x14”

Haircut
grass, tractor with mower, grass trimmer
10000 sq ft field

Mare Comb
forged steel rake, plastic diamonds
6”x5”x0.5”

Mare with Comb
ink jet print on paper, steel
39” x 25.5”

Mute Auto Speaker 3
plastic funnel, cow horn, aluminum push paddle
24”x14”x14”

Gauged Tree
ink jet print on paper, steel
39”x25.5”

Mute Auto Speaker 2
plastic funnel, cow horn, aluminum push paddle
24”x14”x14”

Goats Doing the Electric Slide
8 goats, shepherd
drone footage of 10800 sq ft field

Lo que queda is series of works created between Pamplona and Abaurrepea, Navarra, Spain for a solo exhibition at El Horno in Pamplona’s Ciudadela after a residency at the Centro de Arte Contemporaneo de Huarte. This series deals with the re-contextualization of cultural elements through immigration and globalization, mixing American cultural context with elements found in Navarra, resulting in new and absurd landscapes.

Haircut
The artist and her great uncle cut the field with a tractor mower and lined it up with a string trimmer.